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Grateful Dead Live at Hampton Coliseum on 1985-03-21




Set 1

Alabama Getaway ->
Greatest Story Ever Told
They Love Each Other
El Paso
Tennessee Jed
I Ain't Superstitious ->
Down In The Bottom
Dupree's DiamondBlues
Looks Like Rain ->
Might As Well

Set 2

China Cat Sunflower ->
I Know You Rider
Playing In The Band ->
Drums ->
Space ->
The Wheel ->
The Other One ->
Wharf Rat ->
Around And Around ->
Johnny B. Goode

Encore
Keep Your Day Job


Collection GratefulDead
Band/Artist Grateful Dead
Venue Hampton Coliseum
Location Hampton, VA

Source nak 300 mics > sony d5 > MAC
Lineage MAC > nak dragon deck > creative extigy souncard>cool edit pro >flac frontend
Taped by Joe D'Amico
Transferred by Joe D'Amico

Reviews

Reviewer: VDub757 - - May 5, 2010
Subject: Hampton Coliseum
I love listening to this show at work. I am from Virginia and have seen many shows at the Hampton Coliseum so I can just sit back at work and get lost is Jerry’s face melting jams During China cat>, then let time fad away with Billy and Mickey’s Drum to Phil’s heady bass space situation before the boys roll back in to the wheel>other ones, to one of my personally favorite wharf rats.
Also I love listening to the show since the coliseum is so big and the acoustics bounce around like crazy, you can hear the spaciousness during the recording. Good job to taper Joe D'Amico. Over all a good Virginia Hampton Coliseum, the boys always give VA good heady jams to get us by till their next visit. Or in some cases until the boys bring the lost boys of VA back home. I love this web site and I love how we can review the tapers equipment and listen to others heads stories of their shows. I don’t get anything at work done since I found this site, keep up the good work guys, and let’s keep the reviews positive, it makes no sense when people bash a show, it’s the dead bro, some time there on some times their off, take it or leave it, just don’t get all negative on my (our) music. Por favor!
Also I love listening to the show since the coliseum is so big and the acoustics bounce around like crazy, you can hear the spaciousness during the recording. Good job to taper Joe D'Amico. Over all a good Virginia Hampton Coliseum, the boys always give VA good heady jams to get us by till their next visit. Or in some cases until the boys bring the lost boys of VA back home. I love this web site and I love how we can review the tapers equipment and listen to others heads stories of their shows. I don’t get anything at work done since I found this site, keep up the good work guys, and let’s keep the reviews positive, it makes no sense when people bash a show, it’s the dead bro, some time there on some times their off, take it or leave it, just don’t get all negative on my (our) music. Por favor!
In Collection
Grateful Dead
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Live Music Archive
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on 1/29/2008
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side.
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Source: source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
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Source: Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
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Source: lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
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